Exercises to build fingerpicking speed

Fretting hand: Finger independence

One of the most crucial abilities for any guitarist is finger independence. This is particularly important if you’re playing unaccompanied, as you’ll often need to cover both the chords and the melody simultaneously.

Luckily, there's a simple and effective way to build on this skill.

1. Start by lightly placing your fingers along the high E string like so:

• Index finger on the 1st fret
• Middle finger on the 2nd fret
• Ring finger on the 3rd fret
• Pinky on the 4th fret

‍

2. Now, press down on the frets one at a time, starting with the index finger.
3. As you press down, make sure the other fingers remain just above the string (not touching) - don’t let them fly away!
4. Move on to the middle finger and do the same again.
5. Be sure no other fingers are touching the string – just hovering slightly above it.
6. Continue ascending and descending until you feel comfortable.
7. When you’re ready, move to the next string and repeat the process.

This is the exercise that just keeps giving! There are a ton of possible variations.

• You don’t need to stick to 1234 - 4321.
• Once it feels too easy, randomize the fret order for more of a challenge, e.g. 3142 - 2413
• You can also move this exercise up the fretboard and across strings.

Bonus challenge

Try this one out if you really want to tame that rebellious pinky finger!

1. Use one finger per fret (like the previous exercise) and work your way up from 1 to 4.
2. Keep all your fingers pressed down on each fret.
3. Now move over to the next string one finger at a time – starting with the index finger.

Sounds easy, but it’s surprisingly tricky at first. Focus on keeping all of your fingers fixed in place while moving only one at a time.

‍

Practice to a tempo

This seems more like an obvious rule than an exercise, but we often overlook the most obvious (and important) factors when practicing.

Having a steady pulse keeps us engaged and present – it’s much harder to drift off track when there’s a click pushing you along.

The benefits go beyond just staying focused. Using a metronome

• Improves overall accuracy
• Helps build speed over time
• Prepares you for playing with other musicians

Use our free metronome if you don’t have one to hand.

• Whatever you practice, remember to start slowly and increase the tempo gradually.
• Don’t try to go faster until you can hit each note smoothly.
• Concentrate on keeping your technique relaxed – it’s common to tense up when we feel rushed.

Hammer ons and pull offs

One way to play a string of notes more quickly, is by using hammer ons and pull offs.

The following exercise demonstrates how to add color to basic chords by hammering on or pulling off certain notes around the shape.

1. For bars 1 and 2, hold the open Dmaj shape.
2. Fingerpick each note until you get to the high E string.
3. Then use your pinky finger to hammer on the 3rd fret, then pull off back to the 2nd fret.

‍

4. For bars 3 and 4, hold the open Cmaj shape.
5. Fingerpick each note until you get to the high B string.
6. Then use your pinky finger to hammer on the 3rd fret, then pull off back to the 1st fret.

Like the other exercises in this article, aim to create a uniform sound across all notes. Focus on making the hammer ons and pulls off sound clean and land on the beat.

Try to decorate other chord shapes in this way, and experiment with your own picking patterns.

Conclusion

There we go! That’s plenty to get you started on your fingerpicking journey.

• After building some basic muscle memory you can move on to more complex picking patterns.
• The same goes for the fretting hand – working on finger independence will make things like hammer ons and pull offs much easier.
• If you practice all of these exercises to a tempo, you’ll be able to monitor your progress and build speed over time.

Want to learn fingerpicking from an absolute pro? Check out Fingerstyle Learning Pathway.

You’ll be guided through all the core principles with daily lessons and exercises, as well as personalized feedback from pro guitarists on the Pickup team!

If you’ve never checked out Pickup Music before, you can explore the site with a 14-day free trial too! 🎁

‍

Author: Richard Spooner

Richard Spooner is a writer and musician originally from the UK. After studying contemporary guitar at the Institute of Contemporary Music Performance (ICMP) in London, he toured the UK with various groups, playing styles ranging from acoustic to metal.

Richard's diverse experience gigging, studying music, working in guitar stores, and managing rehearsal studios has given him valuable insight into guitar and what it means to be a working musician. Since 2019, he has been traveling and working as an editor for Pickup Music, while also contributing to Total Guitar, Killer Guitar Rigs, and Guitar Pro. After a decade of performing, he now enjoys creating songs, writing about guitar, and taking long walks on the beach.